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Podcasting is often an intimate, almost solitary experience — earbuds in, voices close, laughter shared privately. But on Saturday night in Johannesburg, ShxtsNGigs proved that some conversations are simply too big to stay behind a microphone.
For the first time ever, the wildly popular UK podcast decided live podcast shows were now a thing. They brought their Daddy’s Home live show to South African soil, transforming a digital phenomenon into a full-scale, in-person cultural event — and marking a first of its kind for local and international audiences.
Hosted by childhood friends James Seppala and Fuhad Dawodu, ShxtsNGigs has grown in six years from an unfiltered chat between two mates into one of the most influential Black-owned podcasts in the UK. Known for its unapologetic humour, sharp takes on masculinity, relationships, pop culture and identity, the podcast thrives on authenticity — the kind that feels like you’re eavesdropping on a very funny, very honest group chat between best friends.
What makes ShxtsNGigs resonate is how their conversations are raw, often chaotic, and frequently controversial — but always rooted in lived experiences. That same energy formed the backbone of the Johannesburg live show on 24 January 2026 at the Gold Rush Dome in Nasrec.
Walking into the venue, it was immediately clear this wasn’t just a podcast recording with just a few audience members. The atmosphere felt closer to a cultural gathering — equal parts comedy show, group therapy session and celebratory homecoming.
James and Fuhad took to the stage to thunderous applause, effortlessly translating their on-screen chemistry into real-time performance in front of over 5,000 South Africans. What followed was a tightly paced yet intentionally unpredictable show, weaving together familiar podcast segments, crowd interaction, storytelling and sharp observational humour.
The hosts leaned into South African culture with ease — acknowledging the city, the crowd and the shared diasporic humour that bridged London and Johannesburg seamlessly. Audience participation became a central character of the night, with candid responses and spontaneous moments reminding everyone why live podcasts are fast becoming a global entertainment force. By the end of the night, our ears were ringing because the crowd in Johannesburg took the decibels to a new level – something even James and Fuhad said was unique to our nation alone.





What set Daddy’s Home apart was how intentionally it honoured its audience. This wasn’t a one-way performance; it was a dialogue. Topics ranged from relationships and ego to growth and accountability — themes that hit differently when discussed in a room full of people nodding, laughing and occasionally cringing in recognition.
There was a refreshing lack of overproduction. No need for spectacle when the substance is strong. The minimal set allowed the personalities to lead, reinforcing the idea that ShxtsNGigs succeeds because it feels real — even when scaled up for the stage.
As one of the first major international podcast brands to stage a show of this scale, ShxtsNGigs set a new benchmark for live audio entertainment in South Africa, and the world. The success of the Johannesburg show signals a growing appetite for podcasts as events, not just content — and positions Joburg as a city ready to host them.
By the end of the night, it was clear that Daddy’s Home wasn’t just about laughs — it was about connection. Between hosts, audience members and a shared understanding that some stories are better experienced together. For fans of the podcast, the live show felt like an extension of something already beloved. For newcomers, it was an irresistible introduction to the world of podcasting and talk shows.
Either way, ShxtsNGigs didn’t just bring their podcast to Johannesburg — they brought the culture with it.

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