The exhibition series will provide new frameworks for the appreciation and interpretation of important South African female artists. Sibande’s various depictions of her iconic domestic worker alter ego, Sophie, and, in the case of Kay, of delineating connections between her virtuoso realist painting.As well as explore Kay’s well-known realist portrait, Cookie, Annie Mavata (1956). Based on a photo taken by Kay in 1948, the painting depicts the artist’s Xhosa cook in blue uniform.